Last year’s charade election in Iran laid bare the stark reality in that country for not only the rest of the world but also for many of the usually apathetic Iranians inside Iran. The friction between the oppressed and their oppressors reached a climax with street protests and violent clashes.
After a few weeks of shocking dismay, the powerful control apparatus put in place by the Basiji, the Revolutionary Guards and Ahmadinejad clamped down and eventually snuffed out the protests. But don’t mistake the tranquility on Tehran streets as a sign that everything is back to normal. The turmoil in Iran is simmering under the surface, ready to boil over at a moment’s notice. This is far from over.
Amidst this historic upheaval, the acclaimed film director Bahman Ghobadi made his latest work: “No One Knows About Persian Cats”. Like most Iranian cinema it defies classification being more a documentary than film. It chronicles the lives of a group of young Iranian musicians struggling against the stiffing oppression that prevents them from even playing the music they like.
The film was the winner of the Special Jury Prize at Cannes Film Festival and was written in collaboration with Roxana Saberi (Ghobadi’s fiance), who as you might recall, was arrested and imprisoned on charges of espionage. I haven’t watched the movie yet but this clip featuring a Persian rapper is mesmerizing (pause if you need to, to be able to read what he is saying):
The ruling mullahs are afraid of the power of music like this. And for good reason. The video above is just one of the musicians featured in the film. All of them decided to leave Iran (and not to return from Cannes) expect the man rapping in this clip. Click to watch the trailer for “No One Knows About Persian Cats” or this alternative trailer:
This theme of leaving Iran to the decrepit cleptocracy is one that I’ve written about more than a few times already. Iran is bursting at the seams with youth who are brimming with potential. The problem is that the country has been organized in such a way to snuff out any and all hope and progress. Your average Iranian youth, like the ones above, have no qualms about leaving Iran in order to create a better life. Even Baha’is are doing so every day in groups.
My only bone to pick is with the Baha’i administration that actively pursues a policy to keep as many Baha’is inside Iran as possible. No matter how dangerous the consequences may be for them. Anyway, if you can catch Ghobadi’s latest work in your local cinema, don’t miss the chance.